“At TWA, we tried to design a building in which the architecture itself would express the drama and excitement of travel. In a way, this is man’s desire to conquer gravity.” – Eero Saarinen
“Young is certainly the lone musician alive today who can claim to be no more than two degrees removed from three of the greatest icons of 20th-century modern music: Igor Stravinsky (who taught Robert Stevenson, the musicologist who was Young’s mentor in college), Charlie Parker (who played with the saxophonist Lee Konitz, with whom Young himself played as a session musician in Los Angeles) and Lou Reed (who co-founded the Velvet Underground with one of Young’s bandmates, John Cale). He is often considered the founder of minimalist music, having stripped composition down to its bare elements of rhythm, sound and tempo as early as the late ’50s.”
Members of the original casts of “Hair,” which played in various cities, including, from left: Charlotte Crossley, James Rado, Stan Shaw, Natalie Mosco, Leata Galloway, David Patrick Kelly, Meat Loaf, Ted Lange, Dale Soules, André de Shields and Marjorie Lipari.
“Every now and then, a piece of American performance is so memorable that it both redefines its medium and reframes the culture at large. Here, an appraisal of one such enduring and heavily referenced work — a youth-inflected 1967 musical that captured the popular (and political) consciousness — alongside a gathering of the stars who not only made it but were made by it, too.”
“At TWA, we tried to design a building in which the architecture itself would express the drama and excitement of travel. In a way, this is man’s desire to conquer gravity.” – Eero Saarinen
“Young is certainly the lone musician alive today who can claim to be no more than two degrees removed from three of the greatest icons of 20th-century modern music: Igor Stravinsky (who taught Robert Stevenson, the musicologist who was Young’s mentor in college), Charlie Parker (who played with the saxophonist Lee Konitz, with whom Young himself played as a session musician in Los Angeles) and Lou Reed (who co-founded the Velvet Underground with one of Young’s bandmates, John Cale). He is often considered the founder of minimalist music, having stripped composition down to its bare elements of rhythm, sound and tempo as early as the late ’50s.”
Members of the original casts of “Hair,” which played in various cities, including, from left: Charlotte Crossley, James Rado, Stan Shaw, Natalie Mosco, Leata Galloway, David Patrick Kelly, Meat Loaf, Ted Lange, Dale Soules, André de Shields and Marjorie Lipari.
“Every now and then, a piece of American performance is so memorable that it both redefines its medium and reframes the culture at large. Here, an appraisal of one such enduring and heavily referenced work — a youth-inflected 1967 musical that captured the popular (and political) consciousness — alongside a gathering of the stars who not only made it but were made by it, too.”
